Max Mara Fall/Winter 2023 – Milan Fashion Week

2 Min Read
2 Min Read

Ian Griffiths embarked on a journey to answer the question of the relevance of the 18th century to the present day through his latest runway for Max Mara Fall/Winter 2023 collection. To accomplish this, he followed his signature method of focusing on a historically marginalized but contemporarily important female creative from the era he was exploring.

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In this case, the woman was Émilie du Châtelet, a brilliant French marquess and mathematician who translated Isaac Newton into French and was famously loved by Voltaire. Griffiths saw du Châtelet as a symbol of the Enlightenment period when female intelligence was increasingly recognized by the patriarchy, even though women’s fashion remained restrictive and controlled.

https://www.youtube.com/watch?v=v0zn2zuXEMw

Inspired by du Châtelet’s potential self-expression if she had freedom, Griffiths imagined how she might have dressed and how that would translate into contemporary fashion. He also reflected on his own club kid days as a New Romantic, drawing from the Baroque to evolve from punk’s less humorous style.

The result was a collection that was newly romantic and showcased the blending of 18th-century menswear and women’s fashion. From the opening teddy banyan coat to the miniaturized pannier skirt in camel brocade, Griffiths brought a fresh take on 18th-century style. He also incorporated contemporary elements, such as the military-style inbuilt strap for slinging teddy coats over the shoulder, pannier pockets for added volume, and detachable Watteau backs for evening wear.

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Max Mara’s collection also included modern takes on current fashion staples, such as the dreamy camel parka, full-length liner coat, and velvet bomber with frogging. Some models paired their lug-soled boots with shorts, making for a wardrobe that Émilie du Châtelet may not have recognized but would likely have appreciated.

©Max Mara

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